Sunday, 21 February 2010

Song Lyrics and Timings

ATMOSPHERE - YOU




You love the people that love you. -------------------------------0:02
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know.
You love the people that love you.
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know you. -----0:37

You just got off work, huh? -----------------------------------0:38
Another night feeling like the worst one.
You didn't even count your tips yet,
But you can tell that it ain't no big step.
I don't see why you so nice to customers
They're all fucks and low lives.
But don't fight, just keep the lip stiff
And get that money it's the weekend shift.
But why they all gotta be freaks.
Wish they would just eat and leave.
And keep they eyes to theyselves, already insecure, don't need any help.
But you can blame the pride that makes you hold your anger inside,
But deep down you wanna curse them all.
Fuck off asshole jerk off dirt ball. ----------------------------1:09

You love the people that love you. ---------------------------1:10
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know.
You love the people that love you.
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know you. ----1:45

Now attitude check, ----------------------------------------1:46
Still show up? You haven't quit yet?
And even when you're meek and sweet,
They still treat you like a piece of meat. Huh.
Outrageous, each day this clock tick tock and you still a waitress.
Trying to pay them student loans
And the lights and the phone and the food and the home.
And you ain't quite broke but you couldn't afford that place on your own.
Gotta roommate, to split the rent with
Now you never feel independent.
And everything seems so hallow
Cause after work, where'd that smile go?
Better bring it back tomorrow.
Now, pick up the pace and you might make bar close.
Perfect, last call then some.
Flirtin', sexual tension.
Surfin', through them men
Cause they all searching for that bent one.
But just one to bend, and you look like you could be my friend.
With a smile like that, I gotta flirt.
Girl, you just look like you got off work.
Huh.. huh... huh... -------------------------------------- 2:38

You love the people that love you. ------------------------- 2:39
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know.
You love the people that love you.
You hear the music they move to.
You give your ode to the fall through.
But you don't know you don't know you don't know you don't know you. ----3:14





CHORUS 1 -

Chorus 1 - Establishing Café location and female waitress doing her job in various close ups of objects and high angles of her working. Reveal to audience her customers are being unappreciative of her work and harassed. Establish male character sitting in café alone, watching in concerned/inquisitive manner.


VERSE 1 -

1st Verse – They meet as she finishes shift and follows her down the street reciting the lyrics as if talking to her. Circling around her with hand gestures to get attention. Tracking shot

Abusive customer in café

Both characters in shot repeating last line. Man firsts hitting table in anger.


CHORUS 2 -

Sexual tension between the two as male literally redresses female in front of home mirror. Get rid of her old self and new confidence

The ‘New’ girl slow dances with man in café. Sweeping pan shots from multiple angles. Almost dream-like

VERSE 2 -


Few weeks later man meets up with girl again outside after next shift for 2nd verse following down street.

Girl in shared apartment with stickers over everything she owns and what her flatmate owns.

Continue redressing scenes

Flirtatious slow dance scenes. More energetic to emphasis sexual tension. Quicker/more cuts.

Girl in straight Jacket being fought over by lots of men (Types seen in café)

Cut back to walking down street for final line

CHORUS 3 -

Back to redressing – man sings chorus with other dressing shots

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